alternatiivsed eluviisid ja vastupanu igapäevaelus alternatiivsed hariduse vormid
autoritaarsete / totalitaarsete režiimide tagakiusamise all kannatanud
avangard, neo-avangard
demokraatlik opositsioon
emigratsioon/eksiil
etnilised liikumised
film filosoofilised/teoreetilised liikumised järelevalve
kaunid kunstid keskkonnakaitse
kirjandus ja kirjanduskriitika kriitiline teadus
liikumine inimõiguste eest meediakunst muusika
naiste liikumine
noorte kultuur partei dissidendid
popkultuur
rahuliikumised rahvakultuur rahvuslikud liikumised
samizdat ja tamizdat
sõltumatu ajakirjandus
südametunnistest lähtuvalt
teaduslik kriitika
teatri- ja etenduskunst
tsensuur underground kultuur
usuline aktiivsus
visuaalkunst
vähemusliikumised ühiskondlikud liikumised
üliõpilasliikumine
Noor-Tartu oli institutsionaliseerimata üliõpilasliikumine, mis tegutses Tartus ajavahemikul 1979-1984, sealhulgas aastail 1979-1981 nime Kodulinn all. Selle algatasid peamiselt ajalooüliõpilased, kes soovisid teha oma kodulinna heaks midagi kasulikku, olemata samal ajal seotud ametlike institutsioonidega. Noor-Tartu põhiliste tegevuste hulka kuulusid heakorratööd linnaruumis, vanavara kogumine ja kultuuriürituste korraldamine. Nende jm tegevuste käigus tekkis erinevat materjali (näiteks kuulutused, ajalehed, ülevaated, fotod jms), mis on tänaseni säilinud ja moodustab erakollektsiooni. Selle kollektsiooni omanikuks on Noor-Tartu liikumise omaaegne tuumikgrupp.
The Nelu Stratone collection is one of the most impressive collections of rock, jazz, and folk records created in communist Romania, as a result of the happy combination between its owner’s exceptional passion for alternative music and his ability to acquire records that were not imported officially. The collection is important not only for its size, but even more for the significant number of albums of Western provenance, which were unavailable in shops in Romania but could nevertheless be obtained due to the existence of an alternative market for such products. The creation and preservation of such a collection were activities regarded with suspicion by the communist authorities in Romania, because they proved the younger generation’s fascination with Western cultural products, in contravention of the spirit of Nicolae Ceauşescu’s Theses of July 1971.
This ad-hoc collection comprises a series of archival materials relating to the activity of the musical band Noroc (officially known as the Noroc Vocal-Instrumental Ensemble). This group of young musicians reached the peak of its popularity during the period 1968–1970. Noroc represented one of the most important examples of an alternative musical style and subculture not only in the Moldavian SSR, but also at the all-Union level. Its members practised an original genre mixing local folkloric elements and Western influences (mostly jazz, rock, and beat). Due to the ”subversive” character of their music, the band was dissolved by the Soviet Moldavian authorities in September 1970. The materials in this collection were selected from Fonds No. 51 (Fonds of the Central Committee of the Communist Party of Moldavia), which is currently held in the Archive of Social-Political Organisations (AOSPRM) of the Republic of Moldova. These documents reflect the emergence of a mass youth subculture in the USSR in the late 1960s and the ideological constraints placed by the regime on such displays of an alternative lifestyle.