The Student Cultural Center (
Studentski Kulturni Centar - SKC), a gathering place for Belgrade students and young Yugoslav artists, was founded and began operations in 1971. During the 1970s, it became a hub of avant-garde movements, ideas and individuals. It played an important role in youth culture of Yugoslavia in the 1970s and 1980s. The SKC archive has rich collections of written and visual materials from socialist Yugoslavia and is an essential place for the study of cultural and artistic scenes in the era of socialism.
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The Alternative Theatre Archive is a research and archival project led by the Zbigniew Raszewski Theatre Institute in Warsaw with support of the KARTA Center Foundation. Its aim is to collect, gather in one location and digitize documents, prints, recordings, photographs and all other archival materials on the alternative theatre movement in Poland in the 1970s and the 1980s.
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Warszawa Jazdów 1, Poland 00-467
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The Art Collections of the Museum of Czech Literature contain works of art connected with the literary field (illustrations, visual works by writers, graphics, etc.). The collection has been built from inheritances; a number of works by officially non-approved artists from the period before 1989 are present here.
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Strahovské nádvoří 1, 118 38 Prague - Hradčany, Czech Republic
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Artists’ Archives gather private collections of artists, documenting the most significant phenomena in post-1945 Polish art, including those which opposed the system or were criticised by the authorities.
Many of these, are the work of creators and milieus engaged in the critique of the authorities and the cultural mainstream of Polish People's Republic. The Archives, designed as an integral part of the new Museum of Modern Art in Warsaw, collects artzines, manifestos, private and official letters, as well as documentation of artistic activities. Its collection is being digitised and published via Internet portal. The unveiling of every new collection is treated as an exhibition marked by a series of panels and meetings.
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Warszawa plac Defilad 1, Poland 00-901
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Artists' books, became worldwide starting the end of the 1960s a medium of communication between graphic artists, writers, photographers and artists working with new media. Soon this medium was discovered by a young generation of artists in the GDR, who distancing themselves from socialist realism, used it as a vehicle for sharing not only their artistic views as well as dissenting ideas, which eventually draw the attention of the Stasi. This collection of GDR artists’ books has its origin during the GDR times when artists approached the Saxon Library, then active in purchasing graphic art from throughout the GDR.
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