alternatiivsed eluviisid ja vastupanu igapäevaelus alternatiivsed hariduse vormid
autoritaarsete / totalitaarsete režiimide tagakiusamise all kannatanud
avangard, neo-avangard
demokraatlik opositsioon
emigratsioon/eksiil
etnilised liikumised
film filosoofilised/teoreetilised liikumised järelevalve
kaunid kunstid keskkonnakaitse
kirjandus ja kirjanduskriitika kriitiline teadus
liikumine inimõiguste eest meediakunst muusika
naiste liikumine
noorte kultuur partei dissidendid
popkultuur
rahuliikumised rahvakultuur rahvuslikud liikumised
samizdat ja tamizdat
sõltumatu ajakirjandus
südametunnistest lähtuvalt
teaduslik kriitika
teatri- ja etenduskunst
tsensuur underground kultuur
usuline aktiivsus
visuaalkunst
vähemusliikumised ühiskondlikud liikumised
üliõpilasliikumine
The No Art Collection is a part of the Anti-Museum founded by Vladimir Dodig Trokut. It consists of characteristic avant-garde and post-avant-garde artefacts. The Anti-Museum’s No Art Collection was established during the many years of Trokut’s activity as a member of the informal cultural opposition, which was supported by prominent individuals and public personalities, such as artists and politicians like Koča Popović and Jure Kaštelan.
The collection refers to The Continuous Art Class, The Novi Sad Neo-Avantgarde of the 1960s and 1970s, an exhibition that took place in the Museum of Contemporary Arts Vojvodina in Novi Sad from 18 November to 3 December 2005. The exhibition was a part of a long-term project titled The Continuous Art Class, a symbolic sequel to Public Art Class, an action realized by active members of the Novi Sad conceptual art scene on the Danube Quay in Novi Sad in 1970.
The exhibition hosted artwork of different individuals and groups from that period, included video documentation and reference publications and was realized in wallpaper format. The members of New Media Center_kuda.org from Novi Sad curated the exhibition.