This digital guide to everyday life in the GDR is a project initiated in 2017 by Kooperative Berlin, a Berlin-based media association, in collaboration with the Federal Foundation for the Reappraisal of the SED Dictatorship. The aim of the project is to create a digital guide to everyday life in the GDR by focusing on various places throughout the GDR. The project sheds light on a myriad of locations associated with activities tolerated or banned by the regime, which eventually impacted everyday life. The interactive platform was created with the purpose of providing tourists a tool to guide them to lesser-known places, which nevertheless provide broad insights into the stories and histories which made up everyday life in the GDR.
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The For the Democratization of Art Collections contains six photographs representing the activist work (i.e. performances) of the Croatian conceptual artist Marijan Molnar from 1979 to 1983. The work consists of a series of performances in which the author drew graffiti and hung banners with the message "For the Democratization of Art" in Zagreb, Belgrade and Ljubljana, collected signatures for a 'petition' on Republic Square in Zagreb, had his picture taken dressed as a terrorist for the student newspaper and presented an installation at the Koprivnica Gallery. Through this work, Molnar tried to point out the influence of politics on art in socialist Yugoslavia, at the same time seeking freedom of action for artists.
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Zagreb Avenija Dubrovnik 17, Croatia 10000
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Molnar, Marijan. Banner on SKUC building, 1981. Performance
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Molnar, Marijan. Collecting signatures on Republic Square in Zagreb, 1979. Performance
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Molnar, Marijan. Graffiti and banner in Belgrade, 1981. Performance
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Molnar, Marijan. Graffiti in the underpass in Novi Zagreb, 1981. Performance
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Molnar, Marijan. Photograph in 'Student Newspaper’, 1981. Performance
Fortepan is an extensive online collection of photos documenting the 20
th century until 1990. All the photos fall under creative commons license. Started as a private non-profit initiative, it grew out of a core collection of 5,000 images, and it has been dynamically expanding as both institutions and private individuals have donated photos. Images are largely about scenes of life in Hungary, but there is a growing number of photos that were taken in other countries. Fortepan is the largest free-use digital photo collection covering, among other things, cultural opposition under communism in Eastern Europe. Underground music scenes, alternative theatre and film, grey zone cultural activities, and the democratic and populist opposition are all topics covered in the collection.
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Budapest Mária tér 4, Hungary 1011
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Gordana Vnuk's personal collection contains published and documentary materials about the festival of new theatre Eurokaz, the theatre company Coccolemocco, the international theatre festivals Young People’s Theatre Days and Young People’s Theatre Days of Dubrovnik and the The Society of Amateurs in Culture and Arts Vinko Jeđut at which premises the company was working for some time under the pretext of being its theatre section. Coccolemocco, as a part of independent cultural scene, introduced new elements to the performing arts and a new type of theatre into Croatian and Yugoslav society. Through their selection of themes, the young theatre zealots inaugurated and discussed issues pertaining to Yugoslav leftist practices, relying on the utopian ardour of their generation who chose theatre as a possible mode of responsible and open action along the lines of Brecht and his dialectical method. Such an attitude ultimately lead to negative criticisms from a part of the professional mainstream community.
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Heiner Müller was one of the most important German dramatists of the 20th century. After his drama
Die Umsiedlerin (
The Resettler Woman) was censored in 1961, following a single performance, many of his plays prohibited in the GDR were staged in the West. The core of the constantly expanding Heiner-Müller-Archiv / Transitraum is Müller's personal library. While Müller's manuscripts are kept at the Academy of Arts, his library constitutes a separate collection run by the Institute for German Literature at the Humboldt-University of Berlin.
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Berlin Dorotheenstraße 24, Germany 10117
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