By means of the concert posters that he kept, Mihai Manea’s collection documents the coordinates of alternative musical culture in the 1970s and 1980s, particularly the jazz, rock, and folk genres. In communist Romania, these Western-inspired genres were permitted in the public space with considerable reservations and suspicion, given that they contravened the “Theses of July 1971” by which Nicolae Ceauşescu had imposed the re-autochthonizing of culture and the arts.
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București Strada Johann Gutenberg 19, Romania 030167
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The Mojmír Vaněk collection is a unique collection of materials that relate to the life and activities of Mojmír Vaněk. The activities of this distinctive, albeit unknown, Czechoslovak exile was very important for the dissemination of Czech music abroad, as well as his activities within the Czechoslovak Society of Arts and Sciences, the Swiss branch of which he presided over for many years. The collection is at the Comenius Museum in Přerov.
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Horní náměstí 7/7, 750 02 Přerov I - Město, Czech Republic
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The Museum of Romani Culture in Brno contains unique materials on the life, history and culture of Roma in the Czech Republic and Slovakia, and map the social, political and cultural activities of the minority. This collection is closely focused on the Roma minority and is unique in the Czech Republic. The collections also include materials mapping the life of the Roma minority during the Communist regime and their emancipation efforts.
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Bratislavská 67, 602 00 Brno, Czech Republic
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The Nelu Stratone collection is one of the most impressive collections of rock, jazz, and folk records created in communist Romania, as a result of the happy combination between its owner’s exceptional passion for alternative music and his ability to acquire records that were not imported officially. The collection is important not only for its size, but even more for the significant number of albums of Western provenance, which were unavailable in shops in Romania but could nevertheless be obtained due to the existence of an alternative market for such products. The creation and preservation of such a collection were activities regarded with suspicion by the communist authorities in Romania, because they proved the younger generation’s fascination with Western cultural products, in contravention of the spirit of Nicolae Ceauşescu’s Theses of July 1971.
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București Strada Sfântul Ștefan 21, Romania 030167
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This ad-hoc collection comprises a series of archival materials relating to the activity of the musical band Noroc (officially known as the Noroc Vocal-Instrumental Ensemble). This group of young musicians reached the peak of its popularity during the period 1968–1970. Noroc represented one of the most important examples of an alternative musical style and subculture not only in the Moldavian SSR, but also at the all-Union level. Its members practised an original genre mixing local folkloric elements and Western influences (mostly jazz, rock, and beat). Due to the ”subversive” character of their music, the band was dissolved by the Soviet Moldavian authorities in September 1970. The materials in this collection were selected from Fonds No. 51 (Fonds of the Central Committee of the Communist Party of Moldavia), which is currently held in the Archive of Social-Political Organisations (AOSPRM) of the Republic of Moldova. These documents reflect the emergence of a mass youth subculture in the USSR in the late 1960s and the ideological constraints placed by the regime on such displays of an alternative lifestyle.
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Chișinău Strada 31 August 1989 82, Moldova 2012
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