The Andrei Partoş–Radio Vacanţa-Costineşti Private Collection includes photographs, publications, and various documents regarding a seasonal radio station that operated during the summer holiday period in Costineşti, which was officially and popularly considered to be the seaside resort for young people. This radio station and its associated activity in Costineşti was a social phenomenon without any term of comparison in the Romania of the 1980s, an epitome of the alternative culture of the younger generation under later Romanian communism and a formative experience for the generation who supports the democratic consolidation in present-day Romania.
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București Strada Știrbei Vodă 162, Romania
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Artlist is an online database that maps the development of modern and contemporary Czech fine art from the second half of the 20th century. Artlist is a unique project that allows free and online searches of authors and their works, including the artist's biography and catalog, and a detailed description of his work.
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Dukelských hrdinů 500/25a, 170 00 Prague 7, Czech Republic
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The Audiovisual Section of the Libri Prohibiti library contains recordings of non-conformist music and spoken word, underground lectures and seminars. It also contains video-documents and amateur film productions. The unavailability of the original recordings and total content consisting of thousands of exemplars makes the collection unique in the Czech context.
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Senovážné nám. 2, 110 00 Praha 1, Czech Republic
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The establishment of the Béla Balázs Studio was initiated by young film professionals in 1959, but it was officially founded only in 1961. It served as a training studio for freshly graduated filmmakers, where they could make films that were not produced to be screened. Through its board, which consisted of elected members of the Studio, the BBS enjoyed partial autonomy over the redistribution of the yearly budget. Beginning in the 1970s, they started to involve “outsiders” in the activities of the studio, which became increasingly marked by two parallel tendencies: engaged forms of documentary and experimental analysis of the language of cinematography.
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Budapest, Dózsa György út 37.
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The Censored Theatre and Cinema Ad-hoc Collection at CNSAS (the Romanian acronym for the National Council for the Study of the Securitate Archives – Consiliul Național pentru Studierea Arhivelor Securității) illustrates how the Archives of the former Romanian secret police, the Securitate, recorded the intervention of censorship to hinder the development of cultural opposition in Romanian theatre and cinema during the communist regime. The documents of the collection show that despite the gradual strengthening of political control over the cultural sphere beginning with the late 1960s, Romanian directors and actors managed on several occasion to bypass censorship. As a result their artistic work running counter to the official cannon, which reinforced socialist realism after the Theses of July 1971, reached a large audience, albeit only for a short period. This collection highlights the case of one of the few Romanian directors banned by the communist regime, Lucian Pintilie. His biography epitomises the destiny of a Romanian artist whose refusal to reach any compromise with the political authorities contributed to his marginalisation in Romanian cultural life while at the same time his work was acclaimed abroad.
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București Strada Matei Basarab 55, Romania 030167
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